The World Premiere Production of The Enchanted Island, a New Baroque Fantasy, on THIRTEEN’s Great Performances at the Met Friday, May 18 at 9 p.m. on PBS
William Christie conducts the work, which uses arias by Handel, Vivaldi, Rameau, and others to tell a new story featuring characters from Shakespeare’s The Tempest and A Midsummer Night’s Dream
NEW YORK, April 23, 2012 /PRNewswire-USNewswire/ — The Enchanted Island, a world premiere work that combines Baroque music with a new, English-language libretto featuring characters from Shakespeare’s The Tempest and A Midsummer Night’s Dream, and a starry cast including Danielle de Niese, Joyce DiDonato, David Daniels, Placido Domingo, and Luca Pisaroni, will air on THIRTEEN’s Great Performances at the Met Friday, May 18 at 9 p.m. on PBS (check local listings). In New York, THIRTEEN will air the program at the same time with an encore presentation Sunday, May 20 at 12:30 p.m.
The program was originally seen live in movie theaters on January 21 as part of the groundbreaking The Met: Live in HD series, which transmits live performances to more than 1700 movie theaters and performing arts centers in 54 countries around the world.
Great Performances at the Met is a presentation of THIRTEEN for WNET, one of America’s most prolific and respected public media providers. For nearly 50 years, WNET has been producing and broadcasting national and local arts programming to the New York community.
Devised and written by the acclaimed British theater artist Jeremy Sams in his Met debut, The Enchanted Island is conducted by renowned Baroque specialist William Christie and seen in a fantastical production by director Phelim McDermott and scenic designer Julian Crouch that blends 18th-century theatrical techniques with advanced video projection designs.
The Enchanted Island is a contemporary take on the 18th-century tradition of operatic “pasticcios” (pastiches), in which new librettos were combined with music from various compositions to create entirely new theatrical pieces. The tradition was particularly popular in London, where Handel was a prominent practitioner. The score for The Enchanted Island comprises selections from a variety of Baroque operas, cantatas, and oratorios, many of which are rarely performed in contemporary opera houses.
DiDonato stars as the sorceress Sycorax and Daniels is her supernatural foe, the sorcerer Prospero; Domingo is Neptune, god of the seas; de Niese is the air spirit Ariel; Lisette Oropesa is Prospero’s daughter Miranda; Anthony Roth Costanzo is the shipwrecked prince Ferdinand; and Pisaroni is Sycorax’s monstrous son Caliban.
The score includes music from many Handel works, including operas (e.g. Alcina, Ariodante, Partenope, and Semele, Tamerlano, and Teseo); oratorios (Hercules and Judas Maccabaeus); and cantatas (e.g. “Tanti strali al sen mi scocchi” and “Notte placida e cheta”); and more. The other works represented in The Enchanted Island are by Vivaldi, Rameau, Ferrandini, Campra, Purcell, Rebel, and Leclair.
Sams, a noted stage director, writer, translator, composer, and lyricist, has created an English-language libretto for The Enchanted Island that combines the plots of two Shakespeare plays. In Sams’s story, the bitter supernatural war between The Tempest’s Prospero and his nemesis, the sorceress Sycorax, is interrupted by a quartet of unexpected island visitors: the four lovers from A Midsummer Night’s Dream, whose honeymoon cruise has ended in a shipwreck. The ensuing conflicts and romantic entanglements also involve Prospero’s daughter Miranda, Sycorax’s grotesque son Caliban, the shipwrecked prince Ferdinand, the air spirit Ariel, and Neptune, king of the undersea world.
Renowned Baroque specialist Christie made his Met debut last season leading Mozart’s Cosi fan tutte. His adventurous explorations into the Baroque repertory, particularly with his ensemble Les Arts Florissants, have earned him an international reputation as a consummate musician and historian.
DiDonato’s most recent Met appearances were as the Composer in last season’s revival of Strauss’s Ariadne auf Naxos and as Isolier in the Met premiere of Le Comte Ory. Daniels’s Met starring roles have included Orfeo in the new production of Orfeo ed Euridice (2007 and 2011), Bertarido in the Met premiere of Handel’s Rodelinda (2004), both Sesto and the title character in Handel’s Giulio Cesare, and Oberon in Britten’s A Midsummer Night’s Dream. Since his debut in 1968, Domingo has sung more than 600 Met performances in an ever-expanding repertory.
De Niese, a frequent collaborator with Maestro Christie, made her Met debut as Barbarina in Le Nozze di Figaro in 1999. Earlier this season, Pisaroni sang Leporello in the new production of Mozart’s Don Giovanni. Oropesa’s Met appearances have included Lisette in the new production of Puccini’s La Rondine (2008), Susanna in Le Nozze di Figaro, Amore in Orfeo ed Euridice, and the Rhinemaiden Woglinde in the 2010 new production of Wagner’s Das Rheingold. Costanzo, a 2009 National Council Grand Finals winner, makes his Met debut this season as Unulfo in Rodelinda.
The four Midsummer lovers are sung by Layla Claire (Hermia), Elizabeth DeShong (Helena), Paul Appleby (Demetrius), and Elliot Madore (Lysander, in his Met debut).
The New York Times dubbed the work, at its premiere, “fanciful, clever, and touching,” while Associated Press found it “irresistibly entertaining…with enough fizz to send a dozen champagne corks popping.”
Soprano Deborah Voigt hosts. Barbara Willis Sweete directs the telecast.
Great Performances is funded by Vivian Milstein, the Philip and Janice Levin Foundation, and Annaliese Soros. Corporate support for Great Performances at the Met is provided by Toll Brothers, America’s luxury home builder®.
Visit Great Performances online at www.pbs.org/gperf for additional information on this and other Great Performances programs.
For the Met, Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For Great Performances, Bill O’Donnell is Series Producer; David Horn is Executive Producer.
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About the Met
Under the leadership of General Manager Peter Gelb and Music Director James Levine, the Met has a series of bold initiatives underway that are designed to broaden its audience and revitalize the company’s repertory. The Met has made a commitment to presenting modern masterpieces alongside the classic repertory, with highly theatrical productions featuring the greatest opera stars in the world. The Met’s 2011-12 season features seven new productions, including: the world premiere of The Enchanted Island, a Baroque pastiche with an original libretto by Jeremy Sams set to the music of Handel, Vivaldi, Rameau, and others; the Met premiere of Donizetti’s Anna Bolena directed by David McVicar; and the final two installments of Wagner’s epic Der Ring des Nibelungen, Siegfried and Gotterdammerung, directed by Robert Lepage and conducted by Maestro Levine. The first complete performances of the new Ring cycle are scheduled for April and May 2012. The season also features new productions of three repertory classics by outstanding directors–Mozart’s Don Giovanni by Michael Grandage, Gounod’s Faust by Des McAnuff, and Massenet’s Manon by Laurent Pelly.
Building on its 81-year-old radio broadcast history–heard over the Toll Brothers-Metropolitan Opera International Radio Network–the Met uses advanced media distribution platforms and state-of-the-art technology to reach audiences around the world. The Met: Live in HD, the Emmy and Peabody Award-winning series of live performance transmissions to movie theaters around the world, returns for its sixth season in 2011-12. The series of 11 transmissions begins October 15 with Anna Bolena and ends with La Traviata on April 14. The Met recently introduced Met Player, a new subscription service that makes much of its extensive video and audio catalog of full-length performances available to the public for the first time online, and in exceptional, state-of-the-art quality. Metropolitan Opera Radio on SIRIUS XM broadcasts live performances from the Met stage three times a week during the opera season, as well; the Met on Rhapsody on-demand service offers audio recordings; and the Met presents free live audio streaming of performances on its website once every week during the opera season.
The Met has launched several audience development initiatives, including Open House dress rehearsals, a popular rush ticket program, Gallery Met, and an annual Holiday Series presentation for families. For more information, please visit: www.metopera.org.