British Artist Lynette Yiadom-Boakye Received the Main Prize of the Future Generation Art Prize 2012
KYIV, Ukraine, December 12, 2012 /PRNewswire/ –
Jonathas de Andrade (Brazil), Micol Assael (Italy), Ahmet Oguet (Turkey), Rayyane
Tabet (Lebanon), and Marwa Arsanios (Lebanon) shared the Special Prize
Lynette Yiadom-Boakye, a British artist, is the Main Prize Winner of the second
edition of the Future Generation Art Prize. Lynette will receive $100,000 award, $60,000
in cash and $40,000 to be invested in the production of new work.
The winner of the Main Prize was selected and announced by the international jury
consisting of Carolyn Christov-Bakargiev (Germany), Agnaldo Farias (Brasil), Massimiliano
Gioni (USA), Carol Yinghua Lu (China), Hans Ulrich Obrist (United Kingdom), Eckhard
Schneider (Ukraine), and Nancy Spector (USA) at the Award Ceremony in Kiev, Ukraine, on
Friday, December 7, 2012.
Nominated artists including winners will also take part at the Future Generation Art
Prize@Venice group exhibition organized by the PinchukArtCentre as the collateral event of
the Biennale di Venezia in 2013. And Lynette Yiadom-Boakye as the Main Prize Winner will
present her solo show in the PinchukArtCentre in Kiev the next autumn.
Announcing Lynette Yiadom-Boakye, the Main Prize Winner, who presented at the
exhibition specially created new series of paintings, jury members Carol Yinghua Lu and
Eckhard Schneider said: “The jury has awarded the Main Prize to Lynette Yiadom-Boakye for
her extraordinary paintings where darkness and light are articulated together, recognizing
the quality of the paintings and the social concerns that emerge from them. Furthermore,
the jury awards the prize for her complex practice, which extends far beyond painting.
Indeed, she is also active in literature as a writer of short stories and is currently
working on a novel”.
In their statement jurors also added: “Born in London in 1977 from African Diaspora
parents, Yiadom-Boakye bases her painting practice on specific rules of duration and
activity. She creates one canvas per day and if not completed by the end of the day, the
painting is discarded. Therefore, there is no nocturnal rethinking, no pentimenti possible
in her activity. Her works are organized around groups of paintings that generally portray
imaginary black characters in abstract landscapes. From the dark atmosphere, striking
usages of white paint become present like piercing flashes of light from a striped t-shirt
or from the eyes of a character.
Her paintings do not emerge from a photographic imaginary but from the memory of
figuration in the history of painting including realism with social consciousness and
expressionism. Her works thus do not focus on the unique artwork but provide a viewing
experience based on a different temporality, and on the recognition of recurring motifs,
figures and moods.
Her work thus hovers between a suspended duration, on the one hand, and an acute sense
of the painterly act embedded in the present, on the other.”
Jonathas de Andrade (Brazil), Micol Assael (Italy), Ahmet Oguet (Turkey), Rayyane
Tabet (Lebanon), and Marwa Arsanios (Lebanon) shared the Special Prize according to the
decision of the Jury.
Initial amount of $20,000 to fund artist-in-residency programs supporting their
further development will be increased considering the number or artists who received the
Special Prize in 2012. Victor Pinchuk, the founder of the Future Generation Art Prize
mentioned it in his speech at the Ceremony.
Addressing the young artists Victor Pinchuk also added: “Today, again, the future
begins. I can see that a new generation is full of ideas, feelings and infectious
inventiveness. This is a new growing global network uniting the smartest, most talented
representatives of the next generation – artists who have the duty to open new perceptions
to humankind. And probably this is your biggest prize, to be part of this group.”
Announcing Ahmet Oguet as one the Special Prize Winners, Carolyn Christov-Bakargiev
and Agnaldo Farias, stated: “The jury awards Ahmet Oguet a special prize for his
extraordinary ability to escape the limits of the art institution and the notion of the
art award through the distribution f money, and the parallel distribution and sharing of
knowledge that lies at the core of eyewriter/DIY/Arbakir. Focusing his energy and time on
writing the web address of a project based on empowering the disabled, onto one dollar
bills, and subsequently dedicating his time to the joyful participation in 5 weddings in a
small town in Turkey, he acknowledges that artistic practice can be redirected towards the
production of emancipation.”
Awarding Jonathas de Andrade they said: “The jury awards a special prize to Jonathas
de Andrade for the way he fills the blank between art and ideology. Tracing back to
modernist motifs used in the architectural and mural traditions of Brazil which risk
vanishing from the collective memory, his conceptual installations translate and reveal
the contradiction between poverty and prosperity and failed attempts of social changes.”
Talking about the works of Micol Assael jurors said: “The jury awards Micol Assael a
special prize for her construction of an environment through her video in which the viewer
is exposed to both the sensuality and anxiety of being in a specific physical situation of
precariousness, such as a barren landscape with surrounded by swarming bees. This audio
surround and video work marks a continuity and also a shift from her recognized practice
in installation and sculpture, where the lens of the camera is materialized and identified
with the gaze of the fragile, yet observing subject.”
Awarding Rayyane Tabet they stated: “The jury awards Rayyane Tabet a special prize for
his close examination and intelligent articulation of the complex social and historical
context of his home in Lebanon. Referencing architectural languages, Tabet succeeds in
transforming and communicating an intimate and personal experience to a wider public, by
multiplying an original wooden toy set to become a field of 12,000 concrete sculptural
copies of its parts, an abstract and urban landscape of models.”
And awarding Marwa Arsanios jurors said: “The jury awards Marwa Arsanios a special
prize for the experimental nature of her installation and performative lecture. This
project which involved the creation of an artist-book based on a popular Egyptian journal
of the late 60ties questions the passage from decolonisation to the myths of the spacerace
while underlining the continuity of gender and justice towards women. Her work places the
viewer /listener in a position of intimacy with the reader/performer which instantiates
the visitor an an important material of the artwork.”
Tim Marlow (Director of Exhibitions, White Cube, Great Britain) was the Award Ceremony
presenter.
Award Ceremony Photo gallery: pinchukartcentre.org/ua/photo_and_video/photo/20999
Video profiles of the winners:
Lynette Yiadom-Boakye pinchukartcentre.org/en/photo_and_video/video/20468/20487
Jonathas de Andrade pinchukartcentre.org/en/photo_and_video/video/20468/20469
[http://pinchukartcentre.org/en/photo_and_video/video/20468/20469 ]
Micol Assael pinchukartcentre.org/en/photo_and_video/video/20468/20472
[http://pinchukartcentre.org/en/photo_and_video/video/20468/20472 ]
Ahmet Oguet pinchukartcentre.org/en/photo_and_video/video/20468/20481
[http://pinchukartcentre.org/en/photo_and_video/video/20468/20481 ]
Rayyane Tabet pinchukartcentre.org/en/photo_and_video/video/20468/20485
[http://pinchukartcentre.org/en/photo_and_video/video/20468/20485 ]
Marwa Arsanios http://pinchukartcentre.org/en/photo_and_video/video/20468
The film about the history of the Future Generation Art Prize:
youtube.com/watch?v=fv7oQT9jGlM&list=UUyghtH-GJcLk8BUlf9x90zQ&index=1
The exhibition of the 21 shortlisted artists for the second edition of the Future
Generation Art Prize is currently on show at the PinchukArtCentre and will be open until
January 6, 2013. The show presents newly produced works by the following artists and
groups: Jonathas de Andrade, 30 (Brazil), Meris Angioletti, 34 (Italy), Marwa Arsanios, 33
(Lebanon), Micol Assael, 33 (Italy), Abigail DeVille, 30 (United States), Aurelien
Froment, 35 (France), Mykyta Kadan, 29 (Ukraine), Meiro Koizumi, 35 (Japan), Andre
Komatsu, 33 (Brazil), Eva Kotatkova, 29 (Czech Republic), Tala Madani, 30 (Iran), Basim
Magdy, 34 (Egypt), Ahmet Oguet, 30 (Turkey), Amalia Pica, 33 (Argentina), Agnieszka
Polska, 27 (Poland), Emily Roysdon, 34 (United States), Rayyane Tabet, 28 (Lebanon), Yan
Xing, 26 (China), Lynette Yiadom-Boakye, 34 (United Kingdom), and two groups: Joao Maria
Gusmao + Pedro Paiva, 33, 34 (Portugal), and R.E.P. (Ukraine).
The 20 shortlisted artists represent 16 different countries. They have been selected
from more than 4,000 applications received from 134 countries spread across all
continents. The 21st nominee for the Future Generation Art Prize is Mykyta Kadan, the
winner of the PinchukArtCentre Prize 2011, the first national contemporary art prize
awarded to young Ukrainian artists under 35.
Images of works by all shortlisted artists are available on the website of the
PinchukArtCentre pinchukartcentre.org/ru/exhibitions/vote/fgap_2012
[http://pinchukartcentre.org/ru/exhibitions/vote/fgap_2012 ] Members of the public may vote
online for the winner of the People’s Choice Prize until January 6, 2013. This prize will
be awarded at the end of the exhibition. It is not a cash award but a symbol of audience’s
recognition.
In 2010, a Brazilian artist Cinthia Marcelle was the first person to win the Main
Prize of the global art prize for young artists under 35. Mircea Nicolae from Romania was
the only artist to be awarded Special Prize according to the decision of the Jury.
Official website of the Prize: http://www.futuregenerationartprize.org
Future Generation Art Prize Facebook page:
http://www.facebook.com/futuregenerationartprize
PinchukArtCentre1/3-2, ” ” Block, Velyka Vasylkivska / Baseyna vul.,
Kyiv , Ukraine 01004
Working hours: 12:00 – 21:00,
Tuesday through Sunday. Closed Mondays. Free admission.
Contact information for Media Enquiries:
Dennis Kazvan, press@pinchukartcentre.org, +380-44-4941148.
SOURCE PinchukArtCentre
