Columbia Museum of Art Announces Photography Exhibition by One of America’s Best-Known Living Artists
ANNIE LEIBOVITZ: PILGRIMAGE ON VIEW OCTOBER 4, 2013 – JANUARY 5, 2014
COLUMBIA, S.C., Aug. 20, 2013 /PRNewswire/ – Annie Leibovitz: Pilgrimage charts a new direction for one of America’s best-known living artists. Unlike her staged and carefully lit portraits made on assignment for magazines and advertising clients, these photographs were taken simply because Leibovitz was moved by the subject. The exhibition, including 78 photographs, taken between April 2009 and May 2011, will be on view at the Columbia Museum of Art October 4, 2013 through January 5, 2014. The CMA is the only exhibition presentation in the Southeast. Annie Leibovitz: Pilgrimage is an evocative and deeply personal statement by a photographer, whose career now spans more than 40 years, encompassing a broad range of subject matter, history and stylistic influences. The work shows Leibovitz at the height of her powers and pondering how photographs, including her own, shape a narrative of history that informs the present.
“These pictures may surprise even those who know Leibovitz’s photography well,” guest curator Andy Grundberg, former New York Times photography critic, said. “They are more intimate, personal and self-reflective than her widely published work, combining the emotional power of her recent black-and-white portraits of her family with an awareness of her own cultural legacy. All photographs are in a sense intimations of mortality, but the pictures of Pilgrimage make this connection explicit.”
Annie Leibovitz: Pilgrimage took Leibovitz to places she could explore with no agenda. She wasn’t on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson’s house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. “That’s when I started making lists,” Leibovitz said. She added the houses of Virginia Woolf and Darwin in the English countryside and Freud’s final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes.
“From the beginning, when I was watching my children stand mesmerized over Niagara Falls, this project was an exercise in renewal,” Leibovitz said. “It taught me to see again.” The pictures, although there are no people in them, are portraits of subjects that have shaped Leibovitz’s distinctly American view of her cultural inheritance. Visiting the homes of iconic figures, including Eleanor Roosevelt, Ralph Waldo Emerson, Louisa May Alcott, Pete Seeger and Elvis Presley and places such as Niagara Falls, Gettysburg and the Yosemite Valley, she let her instincts and intuitions guide her to related subjects–hence the title Pilgrimage.
EDENS President Jodie McLean says, “It is with great excitement and anticipation that we welcome the Annie Leibovitz: Pilgrimage exhibition to the Columbia Museum of Art. Leibovitz’s iconic work has had an enormous impact on contemporary art, and we are thrilled that she has chosen the City of Columbia to display her collection. This exhibition continues to enhance Columbia’s culture and commitment to the arts.”
ABOUT ANNIE LEIBOVITZ
Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. Her father was an officer in the Air Force and her childhood was spent on a succession of military bases. She began her career as a photojournalist for Rolling Stone in 1970, while she was still a student at the San Francisco Art Institute. Her pictures have appeared regularly on magazine covers ever since. Leibovitz’s large and distinguished body of work encompasses some of the most well-known portraits of our time.
Leibovitz’s first major assignment was for a cover story on John Lennon. She became Rolling Stone‘s chief photographer in 1973, and by the time she left the magazine, ten years later, she had shot one hundred and forty-two covers and published photo essays on scores of stories, including her memorable accounts of the resignation of Richard Nixon and of the 1975 Rolling Stones tour. In 1983, when she joined the staff of the revived Vanity Fair, she was established as the foremost rock music photographer and an astute documentarian of the social landscape. At Vanity Fair, and later at Vogue, she developed a large body of work–portraits of actors, directors, writers, musicians, athletes, and political and business figures, as well as fashion photographs–that expanded her collective portrait of contemporary life. In addition to her editorial work, she has created several influential advertising campaigns, including her award-winning portraits for American Express and the Gap. She has also collaborated with many arts organizations. Leibovitz has a special interest in dance, and in 1990 she documented the creation of the White Oak Dance Project with Mikhail Baryshnikov and Mark Morris.
Several collections of Leibovitz’s work have been published. They include Annie Leibovitz: Photographs (1983); Annie Leibovitz: Photographs 1970-1990 (1991); Olympic Portraits (1996); Women (1999), in collaboration with Susan Sontag; American Music (2003); A Photographer’s Life, 1990-2005 (2006); Annie Leibovitz at Work (2008), a first-person commentary on her career; and Pilgrimage (2011). Exhibitions of Leibovitz’s work have appeared at museums and galleries all over the world, including the National Portrait Gallery and the Corcoran Gallery in Washington, D.C.; the International Center of Photography in New York; the Brooklyn Museum; the Stedelijk Museum in Amsterdam; the Maison Europeenne de la Photographie in Paris; the National Portrait Gallery in London; the Hermitage Museum in St. Petersburg, Russia; and the Pushkin State Museum of Fine Arts in Moscow.
Leibovitz is the recipient of many honors. In 2006 she was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. The previous year, in a compilation of the forty top magazine covers of the past forty years by the American Society of Magazine Editors (ASME), she held the top two spots (#1 for the photograph of John Lennon and Yoko Ono taken for Rolling Stone the day Lennon was shot, and #2 for the pregnant Demi Moore in Vanity Fair). In 2009, she received the International Center of Photography’s Lifetime Achievement Award, ASME’s first Creative Excellence Award, and the Centenary Medal of the Royal Photographic Society in London. She was the recipient of the 2012 Los Angeles Museum of Contemporary Art Award to Distinguished Women in the Arts. Leibovitz has been designated a Living Legend by the Library of Congress. She lives in New York with her three children.
Following the Columbia presentation, the exhibition will be on view at the Abraham Lincoln Presidential Library and Museum in Springfield, Illinois beginning February 7 through August 31, 2014 and at the International Center for Photography in New York in the fall of 2014.
Presenting Sponsors: Edens, Aflac, Bank of America, and The Chapman Family Charitable Trust
Supporting Sponsors: Richland County and South Carolina Parks Recreation and Tourism
Annie Leibovitz: Pilgrimage is organized by the Smithsonian American Art Museum. The Bernie Stadiem Endowment Fund provided support for the exhibition. The C.F. Foundation of Atlanta supports the museum’s traveling exhibition program, Treasures to Go.
About the Columbia Museum of Art
The Columbia Museum of Art is South Carolina’s premier international art museum and houses a world-class collection of European and American art. Founded in 1950, the Museum opened its new building on Main Street in 1998 with 25 galleries. The collection includes masterpieces of the Italian Renaissance, Baroque and Rococo from the Samuel H. Kress Collection, porcelain and works by significant furniture and silver makers, as well as American, Asian, and modern and contemporary art. Of particular interest are Sandro Botticelli’s Nativity, Claude Monet’s The Seine at Giverny, Canaletto’s View of the Molo, a Dale Chihuly chandelier and art glass by Louis Comfort Tiffany. The Museum offers changing exhibitions from renowned museums and educational programs for all ages that include classes, lectures, films and concerts. It is the recipient of a National Art Education Association award for its contributions to arts education and an Elizabeth O’Neill Verner Governor’s Award for the Arts for outstanding contributions to the arts in South Carolina.
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