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Chinese actress Zhang grows into international star

August 11, 2005

By Larry Fine

NEW YORK (Reuters) – After dazzling audiences with her
waifish beauty and graceful performances in a string of Chinese
martial arts hits, Ziyi Zhang is coming of age as an actress on
the brink of international stardom.

Zhang, 26, gives her most mature performance yet with a
portrayal of a prostitute struggling with her feelings in Wong
Kar Wai’s “2046,” which had its U.S. opening last weekend, and
stars in the Hollywood version of the best-selling book
“Memoirs of a Geisha” due in December.

Already hailed by Time magazine as “China’s gift to
Hollywood” and on People magazine’s “50 Most Beautiful People”
list among other U.S. pop accolades, the Beijing native has
even Anglicized the order of her name, from the traditional
Zhang Ziyi, ahead of the possible blockbuster impact of
“Geisha.”

Zhang’s rise has coincided with a Western surge of interest
in Asian films starting with her role in the big hit “Crouching
Tiger, Hidden Dragon,” (2000) directed by Ang Lee, and moving
through “Hero” and “House of Flying Daggers,” both shot by
Zhang Yimou.

“I’ve been lucky to work with the great directors,” said
Zhang, who was directed in “Geisha,” by Rob Marshall, who was
nominated for the best-directing Oscar for “Chicago.”

“It’s fate, it’s timing, destiny. I believe in that.
There’s really a lot of opportunity right now,” she said in a
recent interview.

While “2046,” a dreamy, steamy reflection on lovers’
longings, promises and betrayals that merges past, present and
future, will play in movie art houses, “Geisha,” with Stephen
Spielberg as its executive producer, is intended for a
mainstream, worldwide audience.

Zhang said both roles were challenging and had strikingly
contrasting styles, both cinematically and in fashion. She
wears elaborate kimono and customs in “Geisha” and slinky
cheomsongs, the high-collared form-fitting silk dress, and high
heels for her “2046″ scenes set in hedonistic Hong Kong of the
1960s.

BOOT CAMP

As a Chinese actress cast to play a Japanese geisha with
all the dialogue in English in a Hollywood production, the
Beijing beauty had to endure what she laughingly called
pre-production “boot camp” to prepare.

“For us, who can’t speak English and must speak with an
English accent and a Japanese accent, that was really hard, so
much pressure,” said Zhang, who studied English for the role
and who used a translator sparingly during the interview.

“But this opportunity to work on this film that has a great
cast, has a great script, a great director, I think anyone
would take this seriously and do it well.

“We spent a lot of time learning. We called it boot camp.
We got to learn how to walk, how to play the shamisen (musical
instrument), how to dress, add to that the cast is entirely
non-English speaking and you can imagine how hard it was,” she
said of the adaptation of Arthur Golden’s novel.

“I will be proud of this movie. I know this will be a very
beautiful, very emotional, very touching.”

“2046,” a follow-up to Kar Wai’s acclaimed “In the Mood for
Love” was also a stretch for Zhang, who plumbed her emotions
for a performance The New York Times described as “shockingly
intense.”

“I think this character for me so far was my most difficult
role I ever played,” Zhang said about her role in “2046,” which
won her best actress honors at the Hong Kong Film Awards.

Working with Kar Wai was a unique experience for Zhang.

“They didn’t have script. Every day I got two pages of
handwriting. You don’t need to memorize lines. You just give
your real feelings. I just enjoyed this lady, being her,
showing her true feelings.

“As I understood her more, I gave more, building slowly. We
shot a lot of different takes instead of rehearsing. It was a
great training for me as a young actress.”

Michael Barker, co-president of Sony Pictures Classics,
which is distributing “2046″ and brought “Crouching Tiger,
Hidden Dragon,” to the United States among other Asian hits,
said the crossover of a talented international artist such as
Zhang was nothing new for Hollywood.

“Zhang Ziyi going from ‘House of Daggers’ and ’2046′ to
‘Memoirs of a Geisha,’ is no different than Catherine Deneuve
going from her French hits to American success, or Sophia Loren
going from Italian movies to big Hollywood star,” he said.
“It’s happening with Asian actresses today.”




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