‘Rumor Has It’ Reiner’s latest is a wreck

By Kirk Honeycutt

LOS ANGELES (Hollywood Reporter) – One of the better gags
in Robert Altman’s “The Player” has Buck Henry, co-writer of
“The Graduate,” pitching a sequel to that classic comedy.

Rob Reiner’s “Rumor Has It” virtually is that sequel. But
it’s not quite a comedy, nor can one call it a drama. And the
only social satire consists of easy potshots at “old money”
Pasadena society. A number of fine actors giving solid
performances get caught in this morass of
neither-here-nor-there, but they do trigger laughs.
Nevertheless, the movie never gets enough comic traction to
take off into what it apparently wants to be: a personal
odyssey of self-discovery mixed in with an examination of a
genuine American movie classic.

The cast of Jennifer Aniston, Kevin Costner, Shirley
MacLaine and Mark Ruffalo ensures a high-profile Christmas Day
opening for Warner Bros. Pictures. But a film with such a
peculiar premise might not generate the word-of-mouth necessary
to turn “Rumor” into a hit.

Aniston plays Sarah Huttinger, a young journalist whose
career has hit a dead end in New York. She returns to her
hometown of Pasadena, along with her devoted fiance, Jeff
(Ruffalo), to attend the wedding of her sister Annie (Mena
Suvari). Almost immediately, she learns that the movie (and
novel) “The Graduate” might be based on her family and that her
acid-tongued grandmother Katharine (MacLaine) could be the
inspiration for Mrs. Robinson. Why this hasn’t come up before
in her 30-plus years is a puzzle, but the secret certainly
becomes her obsession now.

Prewedding activities and introductions to a family
seemingly at odds with Sarah’s own personal makeup form a
serio-comic backdrop to Sarah’s journalistic inquiry into this
secret. Much is at stake here, for Sarah has become convinced
that she might be the offspring of a romantic rendezvous
between her late mother and the “Dustin Hoffman character,”
which took place the week before her parents’ wedding.

She tracks down an old classmate of her parents, one Beau
Burroughs (Costner), now an Internet billionaire living in the
San Francisco Bay Area. (Incidentally, the movie is set in 1997
to keep “The Graduate” and the characters’ ages in sync.) Even
as she is posing the question to him, she falls under the spell
that apparently affected both her mother and grandmother.

The key problem is the underdeveloped nature of the film’s
heroine. The character seems built for comedy but invariably
gets thrust into highly emotional situations. Yet Sarah’s
distress is never made credible, any more than is her ignorance
of this family secret. She comes off neurotic and highly strung
– even before she learns the deep, dark secret. Plus her
engagement jitters are far too exaggerated, given the absence
of any real issues between her and Jeff.

Initially, the film, written by T.M. Griffin, gets comic
mileage out of caricaturing Sarah’s overly comfortable family
– the staid, oblivious dad (played by the underrated Richard
Jenkins), her bouncy blonde sister, the sister’s tennis-playing
fiance and, of course, the grandmother who might be Anne
Bancroft but who is really Shirley MacLaine. When the story
does an about-face and tries to give these characters more
depth, this serves to make the opening bits seem overly
manipulative if not downright false.

Aniston gets marooned here: Her comic instincts are muted
by all the identity angst, yet there isn’t sufficient dramatic
material into which she can sink her teeth. Costner strolls
through this role with disarming ease, but the character is
more of a plot gimmick than a flesh-and-blood person. MacLaine
gets all the best lines and certainly delivers them with
panache. The story marginalizes Ruffalo’s character until the
last act, and by then it’s too late.

Where Reiner’s direction of comedy (“When Harry Met Sally .
. .”) and satire (“This Is Spinal Tap”) once had real snap,
here he is edging uncomfortably into sitcom, only with a
paucity of laugh lines. Technical credits are pro, with a
collection of oldies and a whimsical score by Marc Shaiman
being the strongest element.

Cast:

Sarah Huttinger: Jennifer Aniston

Beau Burroughs: Kevin Costner

Katharine: Shirley MacLaine

Jeff: Mark Ruffalo

Earl: Richard Jenkins

Roger: Christopher McDonald

Scott: Steve Sandvoss

Annie: Mena Suvari

Director: Rob Reiner; Screenwriter: T.M. Griffin;
Producers: Paula Weinstein, Ben Cosgrove; Executive producers:
George Clooney, Steven Soderbergh, Jennifer Fox, Michael
Rachmil, Leo Amato, Robert Kirby, Bruce Bermann; Director of
photography: Peter Deming; Production designer: Thomas Sanders;
Music: Marc Shaiman; Costumes: Kym Barrett; Editor: Robert
Leighton.

Reuters/Hollywood Reporter