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Roger Daltrey — the who, what, why, when

November 29, 2005

By Steve James

NEW YORK (Reuters) – Who are you, Roger Daltrey?

To millions of his generation (the ones who didn’t die
before we got old!), he will always be the frontman for one of
the greatest rock bands, the Who.

He uttered the best scream on record (“Won’t Get Fooled
Again”) and is enshrined in the Rock ‘n Roll Hall of Fame with
original bandmates Pete Townshend, John Entwistle and Keith
Moon. But Daltrey has always been a bit of an enigma.

Sheet-metal worker, TV Shakespearean actor, trout farmer,
commander of the British Empire, 10-time grandad, “Scrooge” on
Broadway and the personification of the Who’s “Tommy.” They’re
all Daltrey.

Who are you? Indeed.

Daltrey, a spry 61, his golden locks cropped close now,
gave a few insights in a recent interview with Reuters while in
New York to promote a DVD set of Who live performances of
“Tommy” and “Quadrophenia.”

“Tommy? There’s a big part of me in there. That’s the
beauty of the piece; it’s a big part of everybody,” he said,
with a mouthful of West London vowels. “For a period of our
life we feel deaf, dumb and blind.

“I am umbilically linked to Tommy in a way only I can
know,” he said of the Townshend-penned work about a deaf and
blind mute, which the flamboyant British director Ken Russell
made into a movie starring Daltrey in 1975.

The Who only performed the “rock opera” a few times in its
entirety — in London in 1969, New York’s Metropolitan Opera
House in 1970 and some dates on the 1989 reunion tour. When the
album was released in 1969, it was considered revolutionary for
a rock band to attempt such a comprehensive work.

“SEE ME, FEEL ME…”

“We thought, at least it’s dangerous. And we were under the
wing of two great managers — Kit Lambert and Chris Stamp,”
Daltrey said. “They gave us that belief that if we made it
dangerous it would work.

“It was a period when the record industry was growing so
fast and the business couldn’t keep up. Bands were leading the
way; it was driven by the art and not the business. Now it’s
driven by the business.”

Does that mean a record company would probably not take a
gamble with Tommy nowadays? “You could probably do it now
because you could record it in somebody’s bedroom. But say you
end up with a product, it would be much harder now to get it
noticed,” he said.

Daltrey never had trouble getting noticed on stage,
swinging the microphone like a lasso with self assurance as
Townshend windmilled his guitar or smashed it in the amps.

It was all so different back in the Acton and Shepherd’s
Bush areas of London in 1959, when he was kicked out of school
on his 15th birthday. “They weren’t teaching me; they were
molding me into something that I didn’t want to be.”

“I wasn’t a rebel; I just didn’t have their vision of a
future for me.” So he began molding his own future.

“I was a sheet-metal worker by day and I was playing in
bars and pubs at night at the age of 16.” That’s when he met
Townshend and Entwistle and the germ of a rock dynasty was
born. “There was no Plan B,” said Daltrey.

“If this hadn’t happened for me there could have been the
council house, the wife and three kids and the beer belly. It
could have been, but it was never going to be anything else.

“I never, ever doubted for one minute that we would make
it.” he said.

“…TOUCH ME, HEAL ME”

His parents were never convinced, however. “Certainly till
the last few years of their life, they felt: ‘One day you’ll
get a real job, son.’ And that was after Tommy!”

Does he look back fondly now despite the deaths of Moon and
Entwistle and Townshend’s legal trouble over downloaded child
pornography? “Oh yeah. I look back and say what a privileged
life I’ve had.

“I mean, where that musicality came from I don’t know. John
could kind of read music and play the trumpet and Pete could
play the banjo but none of us were thoroughly trained
musicians. But the chemistry was extraordinary.”

Daltrey is trying to recreate that chemistry in a new album
with Townshend due next year. “Pete called a halt to it (last
year). I think it wasn’t quite ready and we lost our drummer
(Zak Starkey) who went on the road with Oasis for a year.”

In the meantime, what music does he listen to now? “There’s
some great bands in England, Kaiser Chiefs, Muse and Kasabian.

“(But) to be honest with you, since the ’70s, I don’t
listen to much music apart from classical. I still listen to
Dylan and some of the old blues, but I’m very particular about
blues, it can bore me to tears.”

Reminded of his burgeoning acting career, Daltrey recalled
playing the two Dromios in a BBC-TV production of Shakespeare’s
“Comedy of Errors.”

“I was in the same room as Cyril Cusak, Dame Wendy Hiller
and all these wonderful, larger-than-life English stage actors
and they were all shaking like jellies.

“And I was thinking: ‘Shakespeare? This is the Pete
Townshend of his day writing Tommy or Quadrophenia.’
Intimidated? Nah, f*** it, it’s Shakespeare!”


Source: reuters



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