“Will & Grace” leaving TV comedy out of closet
By Steve Gorman
LOS ANGELES (Reuters) – If “Ellen” brought American
television’s first lesbian star out of the closet, then “Will &
Grace” broke barriers by turning a gay-themed comedy into a
prime-time hit with mass appeal.
But as the popular NBC sitcom about a handsome gay lawyer
and his attractive, heterosexual best friend ends its
eight-year run on Thursday, the show’s producers insist it was
not their goal to make pop culture history.
“We never set out to do anything that special,” co-creator
David Kohan told Reuters this week. “Honestly, we were making a
fairly traditional sitcom with a twist.
“A romantic comedy is only as good as the obstacles that
keep the couple from getting together,” Kohan added,
paraphrasing a favorite maxim of Sydney Pollack, the veteran
producer he once worked for. “And so, we thought, ‘What if we
have an absolutely insurmountable obstacle?”‘
The idea was also inspired by a friendship between Kohan’s
writing partner, Max Mutchnick, and a woman he dated before
coming out of the closet.
Debuting in 1998, the series starred Eric McCormack and
Debra Messing in the show’s respective title roles — single
gay lawyer Will Truman and his straight interior designer Grace
Adler, who share a Manhattan apartment after she leaves her
fiance at the altar.
Rounding out the quartet of series regulars were its two
comic foils — Sean Hayes as Will’s platonic but flamboyantly
gay pal Jack, and Megan Mullally, a boozy socialite who worked
as Grace’s assistant.
What made the show a prime-time hit was not social
commentary, but the rapid-fire comic patter among the four
leads and an evolving galaxy of quirky characters and guest
COMPLAINTS ABOUT STEREOTYPES, RACY HUMOR
“Within about two or three episodes, you kind of forget
(about the show’s) premise, that it’s a woman and her gay best
friend, and you just accept it as a group of friends, and that
happened incredibly quickly,” said Craig Tomashoff, West Coast
bureau chief for TV Guide magazine.
Still, the show derived much of its humor from its gay
pedigree (Karen to Jack: “Honey, you’re so gay you can see it
from space!”), and some viewers complained the show perpetuated
Mutchnick shrugged off such criticisms.
“It’s there and it’s true. It is part of that world,” he
said of Jack’s outlandish behavior, compared with Will’s more
subdued persona. “We were kind of hoping to get across to
people there are more Wills in the world than there are Jacks.
But that doesn’t mean that there aren’t Jacks.”
The series also was a frequent lightning rod for Christian
conservatives offended by its irreverent treatment of
sexuality, gay and straight.
Shelley Morrison, who played the show’s maid Rosario, said,
“When we taped before a live audience, we had three policemen
on the set. One time this couple came up to me, and the man put
his hand over my mouth and said, ‘You’ll burn in hell for
this.’ Some people could not take the subject matter, but most
just said, ‘Thank you for making us laugh.”‘
The show avoided a preachy tone that many critics said
killed the Ellen DeGeneres sitcom “Ellen,” which made history
with the first openly gay lead character in prime time. Before
“Ellen,” gay life on TV was consigned to supporting characters
or individuals of ambiguous sexual orientation.
Arriving after the demise of “Ellen,” “Will & Grace” was
the first gay-themed, prime-time comedy to gain a mainstream
following and become a huge commercial success.
“This was the show that really brought TV comedy out of the
closet,” said Robert Thompson, head of Syracuse University’s
Center for the Study of Popular Television.