May 3, 2011
Amygdala Detects Spontaneity In Human Behavior
Study of jazz musicians reveals how the brain processes improvisations
A pianist is playing an unknown melody freely without reading from a musical score. How does the listener's brain recognize if this melody is improvised or if it is memorized? Researchers at the Max Planck Institute for Human Cognitive and Brain Sciences in Leipzig investigated jazz musicians to discover which brain areas are especially sensitive to features of improvised behavior. Among these are the amygdala and a network of areas known to be involved in the mental simulation of behavior. Furthermore, the ability to correctly recognize improvisations was not only related to the musical experience of a listener but also to his ability to take the perspective of someone else.
"Musical improvisations are more variable in their loudness and timing, most likely due to irregularities in force control associated with fluctuations in certainty about upcoming actions"”i.e., when spontaneously deciding what to play"”during improvised musical performance", explains Peter Keller. The amygdala, part of the limbic system, was more active while listening to real improvisations and was sensitive to the fluctuations of loudness and timing in the melodies. Thus, the amygdala seems to be involved in the detection of spontaneous behavior, which is consistent with studies showing an involvement of this structure when stimuli are difficult to predict, novel or ambiguous in their meaning.
If a melody was judged as being improvised, regardless of whether this was in fact the case, stronger activity was found in a network which is known to be involved in the covert simulation of actions. This network comprised the frontal operculum, the pre-supplementary area and the anterior insula.
"We know today that during perception of actions, similar brain areas are active as during the execution of the same action", explains Annerose Engel. "This supports the evaluation of other people's behavior in order to form expectations and predict future behavior." If a melody is perceived as being more difficult to predict, for example, because of fluctuations in loudness and timing, stronger activity is most likely to be elicited in this specialized network.
A further observation the researchers made may be related to this: Not only musical experience but also the capacity to take someone else's perspective played an important role in judging spontaneity. Jazz musicians who had more musical expertise in playing the piano and playing with other musicians, as well as those who more often described themselves as trying to put themselves in someone else's shoes were best at recognizing whether a melody was improvised or not.
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