By Liam Rudden THE National Theatre of Scotland returns to the Edinburgh International Festival tonight, with the world premiere of David Harrower's 365, which charts the fragmented lives of a group of young people in today's care system as they prepare to make their way in the world on their own.

By LUKE GRUNDY This year marks the third co-production between the National Theatre of Scotland and the Edinburgh International Festival. After the huge success of the company's incendiary Black Watch in 2006, they have again tackled a potent topic: children in foster care.

Theatre 365 The Playhouse This year marks the third co-production between the National Theatre of Scotland and the Edinburgh International Festival. After the huge success of the company's incendiary Black Watch in 2006, they have again tackled a potent topic: children in foster care.

By Joyce McMillan THE BACCHAE **** HIS MAJESTY'S THEATRE, ABERDEEN ANTHONY AND CLEOPATRA **** ORAN MOR, GLASGOW FEAST *** ARTA, GLASGOW IT WAS a fabulous, gaudy night in Aberdeen when Alan Cumming climbed back into his famous gold kilt, descended upside-down and bare-bottomed to the stage like a true Hollywood god diving to Earth, and gave the city's audiences a performance to remember, in the revival of the National Theatre of Scotland's controversial and spectacular version of Euripides's The Bacchae.

By PAUL TAYLOR Theatre BLACK WATCH Barbican LONDON **** Gregory Burke's Black Watch took the 2006 Edinburgh Festival by storm.